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An anthology of sequences from the best films that the National Film Board of Canada produced since its beginnings. Divided by themes and presented by a trio of actors-signers (including Carle's wife Chloé Sainte-Marie) who sings the same song in between the movie excerpts. This movie celebrated the anniversary of the National Film Board in 1985.

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L'amour donne des ailes, met des étoiles dans les yeux et des papillons dans le ventre. Mais l'amour rend aussi aveugle et fou. Le monde d'Amélie s'écroule lorsque François, l'homme de sa vie, la quitte. Amélie est une jeune planificatrice financière dans la vingtaine saine d'esprit, mais lorsqu'il s'agit de reconquérir son ex, elle perd les pédales et devient complètement crack pot. Entourée de ses fidèles amis Marilou et Mathieu, elle tente par tous les moyens - souvent loufoques, parfois absurdes et extravagants - de récupérer son homme. Habitée par l'espoir de son retour, Amélie fait preuve d'une grande persévérance et d'une imagination sans limites.

科恩根据自己的书《穆罕默德，我的母亲和我》编写并执导了这部电影。影片讲述了一位在丈夫去世后独居的女性的真实故事，她不顾朋友和家人的劝告，收留了一名阿富汗难民。阿丹特是法国最具代表性的女演员之一，这部及时的难民题材剧情片与科恩……

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Jeune Cinéma is a footage film documentary about the famous yet forgotten Hyères Film Festival which took place from 1965 to 1983. It was at that time the most important in France just after the glamorous Cannes Film Festival and a friendly place to discover young directors such as Gilles Garrel, Akerman, Helma Sanders, Schroeter or Carax before they became a legend for the art-house film amateurs. Hyères was a vivid space for passionate debates, incredible polemics and above all surprising encounters. In a word, it was THE place to be for all the cinephiles. If it suddenly disappeared in 1983, it is not only because of internal and political conflicts but also for an unfair competition with Cannes. The « Perspectives » section at Cannes, widely inspired by Hyères, was attracting those same young talents discovered there. My personal history as a filmmaker is deeply tied to the “Collectif Jeune Cinéma”, which was in charge of the “Cinéma Différent” section. Therefore, it’s with a real emotion that I have dived into the festival’s unreleased archives - finding astounding debates or hilarious reactions of the audience - in order to reweave the thread of that forgotten and yet so meaningful story about Cinema.

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